I was sad to see the demise of Fuji’s NeoPan 400 B&W film stock recently.
All of my underwater work was shot using NeoPan 400, in a Subal housed Nikon F90x and Nikkor 16mm ƒ2.8 lens, and for those who are wondering.. I rated the stock at 1600asa, and later colour graded the work on system.
For me the whole experience of diving, of being underwater was one of being carried through a surreal, eerie and misty landscape, and so this approach allowed me to shoot using purely natural light, and at depth.
Thanks to dive buddies Caroline Haycock and Kim Linford, DIVE magazine, Seven Tenths Dive Wear and A.P. Diving.
Locations below include the Red Sea, Bermuda, Cayman Brac and Little Cayman. More of my underwater work examples can be found here.