Communication Arts 2024 - Winning Photograph of Milford Sound

I’m delighted to have just had work selected for the Communication Arts 2024 Photography Annual No. 65.

The winning photograph was made in Milford Sound in November of 2023, while on a trip to New Zealand’s South Island.

For many, many years I’ve wanted to visit New Zealand, and in particular the South Island, so when the opportunity presented itself last year, I didn’t hesitate.

There are a large number of iconic locations in the South Island and so in no time at all a ‘road trip’ was put together with the help of my good friend Chris Lewis, which I’ll talk about in more detail in a future blog post.

Of course Fiordland was a key segment of the trip, and in particular Milford Sound.

I’ll be honest, when I finally arrived there, after much anticipation, I was a little surprised at just how busy it was. It was not at all what I was hoping to experience. But… after 16:00, when the tourists head home, a wonderful calm descends over the place and you feel quite alone. The same thing occurs at dawn, as the tourists don’t descend until around 11:00. There is a magic and a peace to the place that leaves you feeling in awe of the cathedral like surroundings.

The photograph you see below was made at dawn, before the sun hit the top of Mitre Peak (to the left) and as we were treated to a display of low cloud and mist, which slowly moved through the fiord as the tide receded.

If you look closely you’ll see two female Mallard ducks standing in the shallows. One was feeding while the other cast it’s beady eye on me. As I was on a 4 second exposure I was really hoping I’d have a frame or two with at least one of the ducks appearing sharply, and fortunately I did. It really was a very special moment, in so many ways.

While the photograph works as a single frame, I wanted to create a stitched image of three frames, as I felt it encompassed all of the visual elements and would represent the sheer scale of the scene, perfectly.

This was easily (and quickly, using custom indents) achieved using my ALPA 12 STC with HR Alpagon 4.0/40mm lens and with three horizontal frames at 10mm left - 0mm - 10mm right.

With this camera the lens is stationary and it’s the MFDB that shifts. This creates a distortion free image of extremely high quality. I also enjoy the format it creates. It is wide, but it doesn’t ‘feel’ wide. It doesn’t feel forced, pulled or distorted. It feels to me, like I am simply standing there.

One last thing to note, and another thing that surprised me about Milford Sound, was the speed of the incoming and outgoing tide. Be warned!

Dawn at Milford Sound, Fiordland National Park, South Island, New Zealand.


Milford Sound/Piopiotahi is a fiord in the south west of New Zealand’s South Island, within Fiordland National Park.

It has been judged the world’s top travel destination in an international survey in 2008 and is acclaimed as New Zealand’s most famous tourist destination.

Milford Sound is known as the wettest inhabited place in New Zealand and one of the wettest in the world.

Rudyard Kipling called it the eighth Wonder of the World...
— Wikipedia

Detail - A rather special moment frozen in time, during the 4 second exposure.


The photograph below also made it through to the CA shortlist, but in the end it wasn’t a ‘winner’

It was part of an exciting commission for the good folk at the Essex & Herts Air Ambulance Trust (EHAAT)

You can find the full set here.

The front cover photograph of the EHAAT 21/22 ‘Everyday Heroes’ Annual Review.


ALPA Academy & Capture Integration - Landscape Masterclass in the Olympic National Park, WA

OLYMPIC NATIONAL PARK, WASHINGTON STATE - CAPTURE INTEGRATION & THE ALPA ACADEMY MASTERCLASS

SEPTEMBER 17th to 22nd 2023

“Hosted by my good friends at Capture Integration, this will be my third workshop in the Pacific Northwest.

The choice of location for the workshop was inspired by the simple fact that the Olympic National Park has such a diverse range of scenery and with the added bonus of some often challenging and dramatic weather, which is something I relish when making personal landscape work.

The grand Lake Quinault Lodge is a truly wonderful place to be based. Stepped in history and surrounded by beautiful landscape, it is the perfect place to unwind, relax and immerse yourself in a week of landscape photography.

As well as guiding and taking you to some stunning locations, I will also run daily master classes on many aspects of photography.

Broadly speaking I'll discuss and explore the art, mindset and process of landscape photography”


Below is a small selection of the locations where we will be working. You can find out more here, along with information on how I created the panoramic work.

Maple Glade, Quinault Rain Forest, Olympic National Park, WA.

Second Beach, near La Push, Olympic National Park, WA.

Merriman Falls, Olympic National Park, WA.


Below is Lake Quinault Lodge, our home for the week. Perfectly situated on the shore of Lake Quinault and just a short drive from many of the stunning locations where we will spend time.

The beautiful Lake Quinault Lodge.


Lürzer’s Archive 200 Best Ad Photographers Worldwide - 2021/22

I’m delighted to have had work selected again for Lürzer’s Archive’s Top 200 Ad Photographers Worldwide 2021/22 annual.

It’s always exciting to have work accepted in to this fabulous and prestigious publication.

I’ve been fortunate enough to have appeared in every edition of the book since 2008.

Below are two of the images selected, from a commission for Land Rover USA.

Multnomah Falls, Columbia River Gorge, Oregon. Commissioned by Land Rover USA.

Agency : Spark44 New York. Art Director : Peter Cooper.


It was back in the early 1980s that advertising copywriter and agency owner Walter Lürzer banged his fist down on the table and resolutely shouted out to himself: “If no one’s going to do it for me, I’m going to have to do it myself - for everyone!”

What he was referring to, back in that dark pre-internet era, was the laborious process of hunting out and compiling advertising campaigns from around the world. In those days, there were not many ways of finding out how products and services were being advertised in, say, America, Asia, or individual European countries. The first issue of Lürzer’s Archive magazine was published October 1984 in Frankfurt am Main, Germany, and today the title has over 150,000 readers worldwide.

Rowena Crest viewpoint, Oregon. Commissioned by Land Rover USA.

Agency : Spark44 New York. Art Director : Peter Cooper.


Lürzer’s Archive are the celebrated creative resource for advertising professionals worldwide, has been offering a full set of inspirational tools since 1984: Lürzer's Archive magazine; Lürzer's Archive 200 Best Specials; the Lürzer's Archive website, plus their wide range of apps.

Since 2004, Lürzer's Archive has been publishing the 200 Best series, featuring a range of different volumes focusing on a variety of graphic design disciplines. Each carries only work by the best 200 creatives to have submitted to the respective volume. Titles in this series are published every two years. A jury specially convened for each volume selects from the work submitted the items they consider to be the best


Early morning at Salmon Cove. Commissioned by Newfoundland & Labrador Tourism.

Agency : Target, St John’s. Art Director : Kevan Kalyan.

The finished press ad.


Pleased too to have be considered as one of the six front cover options.

Full details of all those nominated can be found here.

North Northwest Exhibition at Gallery Close in Edinburgh

I’m delighted to announce that the North Northwest exhibition is heading north to the city of Edinburgh, to Gallery Close

The exhibition opens on 6th of October 2021 and will run for a number of months. It is also forms part of the gallery’s ‘Scotland The Land’ group show.


This will be the second time the book has been available for public viewing since its launch at the Fedrigoni Papers studios in London in January 2020...

As well as signed editioned archival pigment prints of the work, there will also be a signed copies of the award winning North Northwest book available throughout the exhibition.

The Cuillin from Elgol, Isle of Skye, Inner Hebrides - October 2011.

The Cuillin from Elgol, Isle of Skye, Inner Hebrides - October 2011.

The prints are made on Platinum Cotton 305gsm paper, a beautifully natural Acid & OBA free heavy Fine Art paper, which makes for a sensational visual experience. Employing 12 colour Lucia Pro pigment ink technology, the prints exhibit a stunning colour gamut and impressive tonal expression.

Each print is individually signed, numbered and embossed with Julian’s studio blind stamp.

The editions are made up of just 25 pieces.

Rum from the Bay of Laig, Isle of Eigg, Inner Hebrides - February 2014.

Rum from the Bay of Laig, Isle of Eigg, Inner Hebrides - February 2014.


A ‘meet the photographer’ event, where Julian will be available at the gallery to discuss the work as well as the thoughts and process behind it, is planned for sometime in November, so watch this space!

North Northwest book - Signed Limited Edition.

North Northwest book - Signed Limited Edition.


The gallery is Edinburgh’s only independent photography gallery, and is situated in the heart of the historic Georgian New Town, midway between Princes Street and Stockbridge, in Scotland’s capital.

Gallery Close
4B Howe Street
Edinburgh
Scotland
EH3 6TD

PLEASE NOTE - For opening times and other information, please contact the gallery before making a journey.

The dunes of Luskentyre beach, Isle of Harris, Outer Hebrides - February 2012.

The dunes of Luskentyre beach, Isle of Harris, Outer Hebrides - February 2012.


North Northwest book - Signed Slipcase & A3 archival pigment print edition.

North Northwest book - Signed Slipcase & A3 archival pigment print edition.


The Sound of Taransay from Bagh Steinigidh, Isle of Harris, Outer Hebrides - February 2012.

The Sound of Taransay from Bagh Steinigidh, Isle of Harris, Outer Hebrides - February 2012.


Technical Information - All work in the exhibition was made on the following…

Cameras - ALPA 12 STC & Contax 645

Filtration - 0.3, 0.6 & 0.9 Soft edge ND Grads.

MFDBs - Sinarback eMotion 75 and PhaseOne IQ180 MFDB at ISOs 35 & 50.


Newfoundland and Labrador

While shooting in Alberta for Land Rover, I received a call from the Creative Group Head of Target, NL. He’d been following me on Instagram for some time and spotted that I was shooting in Canada.

Would I like to extend my trip and spend some time exploring Newfoundland? was the question… The answer was of course, yes!

Salmon Cove, Newfoundland and Labrador.

Salmon Cove, Newfoundland and Labrador.

To cut a long story short, we spent 10 days driving across the Avalon and Central regions of Newfoundland, our winding route taking in a mix of historical and truly beautiful locations.

Fort Amhurst, St John’s, Newfoundland & Labrador.

Fort Amhurst, St John’s, Newfoundland & Labrador.

During our time on the road we had some early call times and often experienced wonderful displays of light and typically mixed bags of weather. We took full advantage of the drama that would often unfold in front of us. It certainly wasn’t all blue skies, very much like my work in Scotland.

Everywhere we went the people were hospitable and helpful, and everyone had a story or two to tell. There really is a unique and genuine warmth to this fascinating place.

Salvage, Newfoundland and Labrador.

Salvage, Newfoundland and Labrador.

We came across places with historical and romantic names such as Fort Amhurst, Cape Spear, Queen’s Battery, Signal Hill and Salmon Cove. And curious names such as Quidi Vidi, Salvage and Dildo (Yes, Dildo!)

Cape Spear, Newfoundland and Labrador.

Cape Spear, Newfoundland and Labrador.

Having spent time in some of the more remote parts of Scotland, Newfoundland felt strangely familiar. In short, I felt very much at home.

It‘s a place I would love to return to…

Dildo, Trinity Bay, Newfoundland and Labrador.

Dildo, Trinity Bay, Newfoundland and Labrador.

Client : Newfoundland and Labrador Tourism.    Agency : Target NL.    AD : Kevan Kalyan.

Greenspond, Gander Bay, Newfoundland and Labrador.

Greenspond, Gander Bay, Newfoundland and Labrador.


Below are three of the finished press ads…

The Print Shop Is Now Open

Having been rebuilt from the ground up, the Print Shop is now open!

It’s home to a broader selection of work spanning new categories and features a much wider choice of print sizes and formats.

With fresh work being added on a regular basis you’ll be able to get update announcements either on Julian’s social media channels or via the studio’s occasional newsletter.

EP_Shop_Portrait_v2_1500_RGB.jpg

The prints themselves are made on Platinum Cotton 305gsm paper, a beautifully natural Acid & OBA free heavy Fine Art paper, which makes for a sensational visual experience.

Employing 12 colour Lucia Pro pigment ink technology, the prints exhibit a stunning colour gamut and impressive tonal expression.

Each print is individually signed, numbered and embossed with Julian’s studio blind stamp.

North Norfolk salt marshes, Brancaster Staithe, England - February 2009.

North Norfolk salt marshes, Brancaster Staithe, England - February 2009.


Much of Julian’s work is now available in the form of limited edition archival pigment prints. The new Print Shop is home to a broader selection of work spanning new categories. It features a much wider choice of print sizes and formats...

Svartifoss, Skaftafell National Park, Iceland - April 2010.

Svartifoss, Skaftafell National Park, Iceland - April 2010.

Below are answers to just a few of the commonly asked questions, with more to be found on the Print Shop’s FAQ page.

What methods of payment do you accept?

We accept payments electronically. You can pay with your credit card and Apple Pay through Stripe, or if you have a PayPal account, you can pay through PayPal Express.

Do you offer framed prints?

Sorry, no we do not. Shipping prints framed under glass is both expensive and risky, so we leave framing to the customer, particularly given the personal nature of choosing from the numerous frame, glass and mount combinations.

Glen Orchy, Central Highlands, Scotland - January 2013.

Glen Orchy, Central Highlands, Scotland - January 2013.

Which countries do you ship to?

We ship worldwide. If when placing an order, you do not see your country listed in the shipping section, then please choose 'Everywhere else' from the pull down menu.

Packaging and postage information

We take great care in packaging our prints and books. Your print is placed inside a snug fit Polyester sleeve, which is then placed in a cardboard envelope, and then in to an outer panel wrap cardboard mailer. Books are wrapped in acid free tissue paper, and then placed in a snug fit cardboard envelope.

We ship using First Class Royal Mail and Royal Mail International Standard delivery for books and Royal Mail Special Delivery for prints. Please be aware that print packages will require a signature upon delivery.

Westminster Bridge and the Houses of Parliament, London - 2013.

Westminster Bridge and the Houses of Parliament, London - 2013.

What exactly is a limited edition print?

It is a print of which only a specific number are made. After the edition has sold out, no further prints of that work will be made. An edition is usually dictated to by print dimension too, so there can be for example, 3 editions of an image, where each edition is of a specific print dimension.

What is a blind stamp?

A blind stamp is a colourless impression, that is embossed without ink onto a print

If you have any other questions, then please feel free to contact us.

Kalaloch Creek, Olympic National Park, WA, United States - September 2015.

Kalaloch Creek, Olympic National Park, WA, United States - September 2015.

Iceland 2010 - The Eruption of Eyjafjallajökull

Back in 2010 I was commissioned to shoot a series of ads for a pharmaceutical campaign in various locations around the world, including Iceland, Bavaria and Morocco.

While we were in Iceland we witnessed the eruption of Eyjafjallajökull. It was an incredible event to witness, with the ash blocking out the sun and falling down on us like hot sand.

Many will remember that the resulting ash cloud brought European airspace to a standstill during the April of 2010, and cost billions of euros in disruption and delays. During the eruption, a no-fly zone was imposed across much of Europe, which meant we were lucky to get home, let alone get home on schedule.

It’s funny too what memories are made while travelling in foreign lands… For me, apart from the stunning and surreal landscapes, I’ll always associate Iceland with hot dogs and chocolate raisins!

Below is a selection of the personal work I was able to make during our down time. Larger versions along with other work made, can be found here.

The work was made on a Contax 645 with 35mm Carl Zeiss T* lens and Sinar eMotion 75 MFDB.

With regards to the ads themselves, for logistical reasons, we shot the locations first, and then shot the models in the studio in London, carefully matching camera heights, angles and lighting.

The blood platelets were created in CGI and then all the various elements were composited in post.

Below is a selection of the finished ads..

Client : Amgen. Agency : CDM. Art Director : Shauna Kealy. Post Production / CGI : Kai Bastard. Producer & Location Scout : Leonora Sheppard. Local Producer & Guide : Bui Baldvinsson.

Apennine Passes for Road Rat Magazine

Back in September I got a call from Rupert Gale at The Road Rat.. “how did I fancy shooting another series of mountain passes, but this time in Italy, in the Dolomites”

The mountain passes of the Dolomites are truly breathtaking, so as with the previous Road Rat assignment in the French Alps, I wanted to avoid using a single super wide cropped shot, so I opted to shoot panoramics using the ALPA 12 STC, ALPA HR Alpagon 4.0/40mm SB17 and a nodal rail. This gave a far more natural feel and perspective to the images and importantly avoided the ‘pull’ of a super wide lens, which is something I’m not keen on.

The scenes before us were so vast that some of them required up to 12 stitched frames, which were later put together using Photomerge in Photoshop. The largest PSB file ended up at just over 30 GB!

You can see a small selection of the work we made below, with more examples of the evolving ‘Great Mountain Passes’ project here.

“Exquisitely printed on a mix of heavy gloss and matt art papers, Issue Six of The Road Rat is a beautiful thing. 244 pages (it weighs around 1 kilo) The sixth Edition of The Road Rat is something of a diversion as it features a theme — Italy. We wanted to something to recognise the suffering, way back at the start of all this, of a nation that, as enthusiasts, is something of a Promised Land. So prepare to learn the psycho-geography of Turin, the dining habits of Enzo Ferrari, the sheer brilliance of small Italian cars and a look inside the astonishing mind and archive of Giovanni Michelotti.”

For The Road Rat magazine subscription information, head over here.

The opening spread.

The opening spread.

Passo Rolle. Highest point: 1984m. Number of turns: 44.

Passo Rolle. Highest point: 1984m. Number of turns: 44.

Passo de Giau. Highest point: 2236m. Number of turns: 55.

Passo de Giau. Highest point: 2236m. Number of turns: 55.

Passo Gavia. Highest point: 2621m. Number of turns: 23.

Passo Gavia. Highest point: 2621m. Number of turns: 23.

Passo de Giau. Highest point: 2236m. Number of turns: 55.

Passo de Giau. Highest point: 2236m. Number of turns: 55.

A New Blog.. 'I'm In A Wide Open Space'

2020 started off well for me. I was working on a sizeable assignment in January and it was also the official launch of my new book North Northwest, which had just won two awards.

I was excited and proud of the new book and really couldn’t wait to start telling the world all about it. As I’ve always found marketing and self promotion a little hard, I came up with the idea of creating this blog, as a way of showing and talking about the work in the book itself.

The idea behind ‘I’m In A Wide Open Space’ was to create a dynamic, evolving space where I can house my landscape photographs, thoughts, work processes, stories and inspirations.

It was an idea that I’d been playing with for a few years, and simply hadn’t had the chance, or the head space, to start work on. It all made sense to me and I hoped it would also help improve my writing and understanding of photography.

Then the Covid-19 pandemic arrived..

At first I was in shock. All work was cancelled. How on earth could this be happening!

I then came around to thinking that the lockdown was actually a great opportunity. I was being given space and time in which I could write and craft the blog. This was perfect.

Then slowly but surely I seemed to shut down. It felt like some sort of mental paralysis. I was completely unable to concentrate or contemplate. I simply couldn’t think, let alone write. I started to doubt everything I had done or was hoping to do. I’d managed just one blog post.

Wind the clock forward eight months.. It’s now October. Work in some form has slowly started to reappear. But I’ve still not touched the blog. I’m still unable it seems to talk or even think about my landscape work. I’m stuck firmly in glue.

So I called my old friend Jack Lowe. He’s a man who’s work ethic and drive I admire greatly, and we talked for well over an hour. One key piece of advice, broadly speaking, was simply to start, and to take very small steps. It sounds so simple right ?

So that’s what I’ve done. I had hoped to launch the blog with a dozen posts, or more, with a fanfare on social media, but I’ve not done that. And it’s fine.

As an aside, but closely related to all of this.. I’m a big fan of Rich Roll’s podcasts and it was there on a conversation with Dr Michael Gervais that I heard the expression FOPO, which if you don’t know, stands for ‘Fear Of People’s Opinions’ This is something I know many people suffer from, but I have been quite shocked to realise its effect on me.

I’m hoping that sharing my work here and writing about it openly and honestly, will lift this cloak and allow me to breath again. I hope you’ll join me on my journey.

Finally I’d like to thank a few folk.. Firstly Fenton Smith, the owner of Concentric Editions, for his incredible patience and understanding. I’d also like to thank Jack for his timely advice and encouragement.

Working in Glen Sligachan, Isle of Skye - January 2017

Working in Glen Sligachan, Isle of Skye - January 2017

Outdoor Photography Magazine Interview - May 2020

The good folk at Outdoor Photography Magazine recently asked me if I’d be interested in doing an interview for their May 2020 edition.

After of course saying yes, my thoughts immediately turned to Steve Watkins. Steve was the editor of OP, who had sadly passed away in December of last year. He was also the driving force and energy behind the international OPOTY competition, for which I am privileged to sit on the judging panel.

Many of us are still in complete shock over Steve’s death. He was a kind and passionate man and someone that only ever exuded positivity and warmth. Many young and up-and-coming photographers have had their careers furthered through Steve’s selfless encouragement and his passion for photography. He will be greatly missed.

For a number of years Steve talked to me about doing an interview about my work and approach to landscape photography, but the process was always stalled, by me mainly, because I wanted my North Northwest book to be published beforehand. So, some three years later, a big thank you to Mark Bentley for inviting me once again to give an interview. Thanks too go to Nick Smith for making the process particularly enjoyable.

This is for you Steve..

North Northwest wins BBD&P Best British Book & Book of the Year

I’m both proud and delighted to say my forthcoming book ‘North Northwest’ has just won Best British Book and Book of the Year at the British Book Design & Production Awards.

"A fantastic 101 books made it onto the shortlist, but only 19 winners could be crowned. ‘North Northwest’, entered by Boss Print (Concentric Editions), was the star of the night, triumphing in the Best British Book category and winning the title of overall Book of the Year.

The judges commented that “Even amongst the highest of competition, this entry captivated us. There was not one element that did not fit in. The book was seamlessly put together as a whole with beautiful production and design, making it a truly worthy winner.”

My thanks go to fellow collaborators Fenton Smith of Boss Print and Concentric Editions and designer Les Welch. These awards are a true testament to the superb quality of the print, production and design of the book.

The book is available in three editions, with full information and purchasing options here.

Range Rover - Elevated Drives

21 days on the road with 4 Range Rovers, driving across 4 US states. Shooting from dawn ‘til dusk, we travelled through California, Oregon, Colorado and Maine, witnessing the stunning and varied American landscape.

This was a commission from the good folk at Spark44 in New York, for Land Rover. The resulting imagery creating a beautifully produced coffee table style book called ‘Elevated Drives’ which includes the use of special papers, inks, embossing, die cutting and hand drawn maps of the carefully curated and iconic routes that we drove. A truly crafted piece and further proof that print is not dead!

A quote from the book sums things up perfectly.. “Driving from a low elevation to a considerably higher one can be profound. From the physical impact a shift in altitude can have on your body, to the dramatic scenery and weather changes, these journeys can be epic experiences”

Below is just a small selection of the work that we made, with many more examples to be found here.

A big thank you to the fantastic creative, production and support team who made the whole project both possible and immensely enjoyable. By the end of our time together on the road, we felt like family.

Client : Land Rover. Agency : Spark44 New York. AD : Peter Cooper. Brit Jackson : Associate Director of Production. Sr. Art Producer : Deb Grisham. Producer : Tim Willis, Lockbox. Production Assistant : Gina Wilk. 1st Assistant : Caleb Thal. Writers : Michael Hurley & Bec Couche. Valet : Steve Chavdarian. Drivers : Greg Nikolas & Chad Lourie.

Tim and Caleb executing precision tripod placement in Death Valley.

Tim and Caleb executing precision tripod placement in Death Valley.

Olympic National Park Panoramics

After leading an ALPA workshop in the beautiful Olympic National Park with Capture Integration I decided to stay on for an extra week, to make some work for myself.

The sheer scale of the landscapes in the Pacific Northwest do beg the question.. how on earth do I make a photograph of what I’m seeing before me, that feels natural to the eye? Instead of simply reverting to using a super wide lens, which I’m not particularly keen on due to the pulI and distortion, I found the solution in using a slightly longer lens and shooting panoramic images. I used my ALPA 12 SWA with HR Alpagon ƒ4.0 40mm SB17, which allowed me to shift the lens vertically (especially in the rain forests) and dial in some tilt when required, while importantly keeping the camera level for shooting frames for stitched panoramics.

Many of the images were shot in damp and windy conditions, with movement in both the water and the branches and leaves, the stitching software taking care of any movement and anomalies. With some of the images being created from 10 x 80mpxl frames, you can imagine.. the resulting 16 bit PSB files are large!

I’m pleased to say that some of the work has been selected for ‘Lurzers Archive Top 200 Best Advertising Photographers Worldwide 20/21’

Below are some examples of the work I made, with more images available to see here.

Below are a few ‘behind the scenes’ images of my ALPA 12 SWA..

World Land Rover Day - April 30th

World Land Rover Day is celebrated on April the 30th every year, to mark the global premiere of the original Land Rover at the Amsterdam Motor Show on this day in 1948.

Below are some views from my trusty Land Rover, shot on my iPhone.. While stationary I might add!

Isles of Skye, Harris and Lewis Workshop

UPDATE - FULLY BOOKED

I am running an all inclusive workshop in partnership with British landscape photographer Steve Gosling in March 2019. This will be my first workshop in the UK, having lead previous workshops in the United States for ALPA and Capture Integration.

This is an exclusive and intensive workshop for intermediate or advanced photographers wanting to develop their photography in some amazing Scottish island locations, under the guidance of two experienced professional photographers. The emphasis will be on getting you to some fantastic locations and helping you refine & develop your approach to the photographic process. The workshop will provide a challenging experience, not only out photographing but also with lots of time allocated for discussions and debates on the principles, philosophy and aesthetics of photography.

To enable maximum interaction between instructors and participants numbers are strictly limited to 6 people.

Both instructors use ALPA and Phase One medium format equipment, so we are particularly interested in working with existing or potential medium format photographers. 

THE LOCATIONS

Skye is a wonderfully dramatic & picturesque island located off the west coast of Scotland that has been voted 'the 4th best island in the world' by National Geographic magazine. It's a place of extremes, from the craggy outline of the Cuillin to the sheer cliffs and imposing headlands that descend to peaceful bays & beaches. The photographic opportunites it offers are both varied and stunning.

Harris & Lewis is one island accessed by ferry from Skye. It is a location full of history - the neolithic standing stones at Callanish are older than Stonehenge - and the landscapes offer tremendous variety, from high mountains to deeply indented sea lochs, coastal islands, rocky coves and beautiful white sandy beaches. It is a wonderful location providing space, peace, tranquility and photographs aplenty.

WHEN

1st to 10th March 2019

THE COST

The cost per person is £6250.

This includes tuition, accommodation in premium hotels, all meals, dinner one evening at the award winning 'Three Chimneys' Restaurant on the Isle of Skye and transport (including from/to Inverness Airport and the cost of the ferry crossing to/from Harris & Lewis).

OUTLINE PROGRAMME

We will collect participants from Inverness airport on the 1st March and then travel to our base on Skye - the magnificent Cuillin Hills Hotel with its fantastic views across Portree Bay.

We will stay on Skye for 5 nights visiting locations such as The Quirang, Neist Point, the Fairy Pools in Glen Brittle, Sligachan and Loch Coruisk.

On day 6 we will catch the ferry to Harris and Lewis where we stay at the Hotel Hebrides in Tarbert for 3 nights. Our relatively short time on Haris & Lewis will be spent making the most of the photographic opportunites at locations such as Luskentyre, Seilebost, Traigh Iar, Huisinis and of course the historic standing stones at Callanish.

We will leave for the return ferry across to the Isle of Skye on the morning of the 9th March where we will spend our final night back at the Cuillin Hills Hotel. The following morning we will load the vehicles and take people back to Inverness Airport for their return journey home.

Alpine Passes for The Road Rat magazine

I got a call from my old friend Mikey Harvey.. how did I fancy shooting a series of Alpine passes for a new premium automotive magazine called The Road Rat? Of course I said yes.

With three locations chosen, a couple of Michelin maps in the glove box and hotel and Eurotunnel reservations made, we hit the road.. After 5 long days, 146 caffè lattes, numerous marmot encounters and with 1987 miles behind us.. we were back.

The mountain passes were truly breathtaking and recording them was not a straight forward task. Instead of cropping a single super wide shot, I decided to shoot panoramics using the ALPA 12 STC, ALPA HR Alpagon 4.0/40mm SB17 and a nodal rail. The scenes before us were so vast that some of them required 12 stitched frames.

You can see a small selection of the work we made below, with more examples of the larger project here.

“Exquisitely printed on a mix of heavy gloss and matt art papers, Issue One of The Road Rat is a beautiful thing. 244 pages (it weighs around 1 kilo) it is at once absolutely of the moment - Lewis Hamilton, the Aston Martin Valkyrie - yet simultaneously timeless as we dwell on the making of the modern Ferrari and the decline of the Mercedes SL. It’s not a place for hot takes but long-form, writing every bit as considered as our photography, illustration and design.”

For The Road Rat magazine subscription information, head over here.

The opening spread.

The opening spread.

The Col d’ Izoard. Highest point: 2360m. Number of turns: 49.

The Col d’ Izoard. Highest point: 2360m. Number of turns: 49.

The Col du Galibier. Highest point: 2645m. Number of turns: 44.

The Col du Galibier. Highest point: 2645m. Number of turns: 44.

The Col de la Bonette. Highest point: 2715m. Number of turns: 63.

The Col de la Bonette. Highest point: 2715m. Number of turns: 63.

CEWE & MIND Charity competition

I was recently invited to judge the CEWE and MIND Charity 'My Inspiring Moments' competition.

I strongly believe that spending time in the landscape is an extremely therapeutic, healing and worthwhile thing and so was very happy to accept the invitation.

When asked to pick a single image that defines my inspiring moment, I chose the image below, which was made in Glen Brittle, on the Isle of Skye. It was made on a wet and wild winter’s day and although it was a challenge, It was the first time that I felt I’d actually made a photograph that illustrated how I actually felt when standing in a Scottish landscape.

12 winners will be chosen to feature in a bespoke charity calendar curated by myself, plus all entrants will automatically be entered into the CEWE Photo Award 2019, the biggest open photo competition in Europe.

For competition entry details head here.